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Christian religious orders --- Benedictines --- anno 1100-1199 --- anno 1000-1099 --- Fara Sabina --- Italy --- Monasticism and religious orders --- Church music --- Monachisme et ordres religieux --- Musique d'église --- History --- Histoire --- Abbey of Farfa --- History. --- Liturgy --- Farfa (Italy) --- Farfa (Italie) --- Church history. --- Histoire religieuse --- Church history --- 091 <45 FARFA> --- 091:264 --- 091:78 --- Handschriftenkunde. Handschriftencatalogi--Italië--FARFA --- Handschriften i.v.m. liturgie --- Handschriften i.v.m. muziek --- 091:78 Handschriften i.v.m. muziek --- 091:264 Handschriften i.v.m. liturgie --- 091 <45 FARFA> Handschriftenkunde. Handschriftencatalogi--Italië--FARFA --- Musique d'église --- Monachism --- Monastic orders --- Monasticism and religious orders for men --- Monasticism and religious orders of men --- Orders, Monastic --- Orders, Religious --- Religious orders --- Brotherhoods --- Christian communities --- Brothers (Religious) --- Friars --- Monks --- Superiors, Religious --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- History and criticism --- Religious aspects --- Christianity --- Bencések --- Benedettini --- Bénédictins --- Beneditinos --- Benedyktyni --- O.S.B. --- Ordem de São Bento --- Order of Saint Benedict --- Ordine di San Benedetto --- Ordo Sancti Benedicti --- OSB --- Saint Benedict, Order of --- Abbazia di Farfa (Farfa, Italy) --- Abbazia S. Maria di Farfa --- Abbazia Santa Maria di Farfa --- Abbazia di Santa Maria di Farfa --- Abbaye de Farfa --- Santa Maria di Farfa (Abbey : Farfa, Italy) --- Monasticism and religious orders - Italy - Farfa - History - Middle Ages, 600-1500 --- Church music - Italy - Farfa --- Farfa --- Liturgie --- Farfa (Italy) - Church history

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At the heart of the various articles in this book are four customaries, compiled over the course of nearly a hundred years beginning at the end of the tenth century, that describe daily life and liturgy at the abbey of Cluny. Two principal objectives motivated the creation of the present volume of essays: first, to bring out the unequaled richness of these monastic customaries for scholars, primarily medievalists in all disciplines; and second, to facilitate the use of these sources, which can be challenging at first sight. Drawing upon the multiple disciplines needed to account for the full range of information presented by the customaries, the editors have brought together varied and complementary approaches to these multifaceted documents. Among the principal themes common to the studies in this volume are the genesis and transmission of the customaries, the relationship between texts and practice, and the evidence they offer for the function of monastic spaces as well as for the ritualization of communal life. Au cœur des divers articles de cet ouvrage collectif sont quatre coutumiers, rédigés au cours d’une centaine d’année environ à partir de la fin du Xe siècle, qui décrivent la vie quotidienne et liturgique de l’abbaye de Cluny. Deux objectifs principaux motivèrent la création de ce volume: premièrement mettre en valeur la richesse inégalée des coutumiers monastiques pour les chercheurs, à commencer par les médiévistes, toutes disciplines confondues, et deuxièmement faciliter l’emploi de ces sources qui peuvent paraître à première vue difficiles d’un abord. Seule une approche multidisciplinaire pouvait permettre d’illustrer tout l’éventail d’informations contenues dans ces sources; c’est pourquoi les éditrices ont réuni des études extrêmement variées mais complémentaires, qui mettent bien en valeur la richesse de ces écrits. Parmi les thèmes principaux abordés en ce livre se trouvent la genèse et la transmission des coutumiers, la relation entre ces textes et la pratique, l’information qu’ils offrent sur la fonction des espaces monastiques ainsi que la ritualisation de la vie communautaire.

271.112 --- 271.112 Benedictijnen: congregatie van Cluny --- Benedictijnen: congregatie van Cluny --- Christian religious orders --- anno 500-1499 --- Cluny --- Monastic and religious life --- History --- Cluny (Benedictine abbey) --- Cluniacs --- Abbayes --- Abdijen --- France ; histoire du Moyen Age --- Frankrijk ; geschiedenis van de Middeleeuwen --- Monasticism and religious orders --- Monachisme et ordres religieux --- Liturgy --- Rules --- Liturgie --- Règles --- Monastic life --- Spirituality (in religious orders, congregations, etc.) --- Spiritual life --- Vows --- Christianity --- Cluniacs. --- Cluny, France (Benedictine abbey) --- Cluny Abbey --- Abbaye de Cluny --- Abbey of Cluny --- Cluny (France). --- Order of Cluny --- Ordre de Cluny --- Cluniac Order --- Ordo Cluniacensis --- Benedictines. --- Cluniac Benedictines --- Monastic and religious life - France - Cluny - History - Middle Ages, 600-1500

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Book history --- Bible --- Christian religion --- History of civilization --- anno 500-1499 --- Western Europe --- Influence --- Medieval civilization. --- History. --- Medieval civilization --- History --- -Bible --- -22 "04/14" --- 22.06 <09> --- -Medieval civilization. --- Bijbel:--Middeleeuwen --- Bijbel: exegese-- --- 22 "04/14" Bijbel:--Middeleeuwen --- 22 "04/14" --- Biblia

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religieuze kunst --- relieken --- processie ~ Christelijke religie --- geschiedenis --- Doornik

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The number of surviving medieval secular poems attributed to named female authors is small, some of the best known being those of the trobairitz the female troubadours of southern France. However, there is a large body of poetry that constructs a particular textual femininity through the use of the female voice. Some of these poems are by men and a few by women (including the trobairitz); many are anonymous, and often the gender of the poet is unresolvable. A "woman's song" in this sense can be defined as a female-voice poem on the subject of love, typically characterized by simple language, sexual candor, and apparent artlessness.The chapters in Medieval Woman's Song bring together scholars in a range of disciplines to examine how both men and women contributed to this art form. Without eschewing consideration of authorship, the collection deliberately overturns the long-standing scholarly practice of treating as separate and distinct entities female-voice lyrics composed by men and those composed by women. What is at stake here is less the voice of women themselves than its cultural and generic construction.

Music --- History of civilization --- anno 500-1499 --- Vocal music --- Women musicians --- Women singers --- Musicians, Women --- Women as musicians --- Musicians --- Music and society --- Social aspects --- History and criticism